by Matt Worley
Pop, of course, is built on daydreams conjured up in suburbia. Pop comes from the outside looking in, from howling at the moon, from wanting a way out. Pop is a dream mass-produced, packaged and re-packaged, replicated, copied and sold back to us. It is the sound of creativity spawned from boredom; a source of ideas raised only to be pillaged. Pop is the last gasp before the day job get you, a scream in the face of nine to five, a futile alternative to washing the car. Pop is an inevitable failure, a second of brilliance and a lifetime of grey. Pop is disappointment in multiple.
(artwork by Andy Warhol)
Pop, of course, is built on daydreams conjured up in suburbia. Pop comes from the outside looking in, from howling at the moon, from wanting a way out. Pop is a dream mass-produced, packaged and re-packaged, replicated, copied and sold back to us. It is the sound of creativity spawned from boredom; a source of ideas raised only to be pillaged. Pop is the last gasp before the day job get you, a scream in the face of nine to five, a futile alternative to washing the car. Pop is an inevitable failure, a second of brilliance and a lifetime of grey. Pop is disappointment in multiple.
(artwork by Andy Warhol)
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